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Season to Survive

by Ivy Ross

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1.
Every now and again, I rediscover something beautiful that I received from my dear grandmother Pauline. This little golden music box lives on a keychain of all places. It's connected to what holds the key. May this little snippet, recorded to wire at Adam Selzer's Portland studio in September, encourage you to unwind, to slow down, to prepare for relaxation. A relaxed mind is a powerful mind. A relaxed heart can receive. (For the longest time, I did not know what the tune was! On December 26th, 2022, boxing day, aka Feast of Stephen, my dear Dad let me know that it is a song called "Eternally". It was composed by the one and only Charles (Charlie) Chaplin for his 1952 film, Limelight. Chaplin titled the tune "Terry's Theme". Eventually, words were written by the English lyricists Geoff Parsons and John Turner with a theme of Eternal Love. Chaplin's film won an Oscar for "Best Original Dramatic Score" at the 45th Academy Awards in 1973.)
2.
Never Alone 01:24
When you feel alone, you are never alone, and when ET phoned home, do you remember what happened? 'Cause I don't! When you feel afraid, remember what you're made of! The same stuff as your favorite supershero or planet, and you'll float, you'll fly, you'll float right past the fear my dear. So when you're insecure, remember there's the door. But if you stick around, you may find courage when you dig deep down, around, there is no courage without fear my dear. Ivy Ross on guitar, vocals and tingsha bells
3.
Here's to the moon and stars who will remind us who we are, if we will allow them to. Here's to those who I admire who show me how to stay on fire, I am looking up at you. You're the ones who know how to say no, who paved the way for us to go, marching through the clearest skies. And the cloudy ones won't be undone, that rain will shower everyone, this will come as no surprise. Sun and Moon know what to do, and they will demonstrate for you how to keep this world alive. Passing through and passing by, they show us how to share the sky. 'Tis the season to survive. Ivy Ross on electric guitar, drums, bass, handbells, vocals field recording from the Silver Lining Cafe on S'Klallam waterfront including Coho Ferry departing horn. May each bell be a reminder of your innate beauty and intelligence! May the Coho Ferry horn send you off in the direction of your most healing dream visions!
4.
The Velocity 03:06
Rain's falling, like a memory it's calling, melancholily bawling, something's calling your name. You're sleeping, in your dreams you've been leaping, superficially scorekeeping, and you're losing the game. The way you've been a'thinking forgets whose hand is feeding you, bound to astound you that one who gazes lovingly towards you won't give up on you. You're falling, the velocity's enthralling, cataclysmically snowballing, now you've heeded the call. A feather, we will always be together, time and distance can't sever what came before the fall
5.
Before there's a version there's a bend, there's a bend Imagination reaches out their arms like an old friend The world a possibility that lives inside your head Before there's a version there's a bend Before there's an echo there's a sound, there's a sound Someone yells into a canyon as they wander down They hear a clear response, but there is no one to be found Before there's an echo there's a sound Before there's a feeling there's a thought, there's a thought Stuck inside a story it's so easy to get caught The life that passes by you when your tummy's in a knot Before there's a feeling there's a thought One sure thing to do is just breathe in and then breathe out Recognize the feeling of your tongue inside your mouth And give great thanks to gravity that holds us to the ground Sometimes, just breathe in and then breathe out. So you see everything it has a start, has a start Not knowing what's coming next is sort of the best part It turns out that freedom's a condition of the heart You see everything it has a start YOU ARE BUILDING You are building See through Tunnel of trees The Golden Maple at the end all smothered in pure honey from the sky That is where you are headed through this diamond vision tunnel Dark woods to either side. Ivy Ross on keys, hand bells, guitar, drums, whistle Dawn chorus on the Hogback also featured at the top You Are Building recorded to Webster “Electronic Memory” wire recorder by Adam Selzer
6.
Museum Hill 03:17
When I am walking to the corner store, I'm going to hold my head up high. My grandpa said, "No matter what you do, don't let anybody steal your mind." And when I walk up to Museum Hill, I'm gonna put on my new shoes. The very same ones that my mother got, so she'll be walking with me too. And when I'm lying in my bed at night, praying for justice and for peace, I'll call on everyone I've lost and loved, and they will dream alongside me, and they will work from within me, and we will work until we are all free. Ivy Ross on harmonium, guitar, vocals, ukulele
7.
Oh Elijah 02:59
Oh, Elijah, what are you waiting for? Why surprise us? We know where you came from. You look haunted by the things you know to be standing in between you and me. Oh, Elijah. Hey, Elijah, you know it's not your fault. Skin too binding Nothing like a dream to wake you up. You went flying through the woods between the owls Caught by the branches and they took you down Hey, Elijah. Oh Elijah, you became the wind that blew All the diamond dust inside of you. You went climbing in the clouds just when the lightning broke All the windows in your storybook. Ivy Ross on guitar, harmonium, violin, drum Featuring Anna Verlet on violin Field recording of graceful red-winged blackbird at the mouth of the Elwha River at tail end of song
8.
Well you're stuck in the mud again with your woes and despairs. This globe can be galling for your heart if you've got one that cares. If you're caught in familiar tall tales and a river of fears, if it feels like you're wading around in that ocean of tears... Go on and connect with your larger identity. You'll be free. Because when you connect to your Larger Identity, you are free. Your skin feels too tight and you're worried you might lose it all. Can't figure out how to pass this unfeasible wall. The thought of your plans fills you up to your limit with dread. There's a critic with two thumbs pointing down in your head. Well, go on and connect with your larger identity. You'll be free. Because when you connect to your Larger Identity, you are free Now sit yourself down and prepare for a new can of worms. Try seeing it from their perspective if you want to learn. You're sipping that last straw, and savoring every last drop Forgiveness won't kill you, but it will bring you to a full stop. Oh when we forget about our larger identity You're just you and I am just me. But when we connect to our Larger Identity We are free. We are free. Ivy on guitar, tambourine, and vocals Little Delta Dawn shared some of her healing purr vibrations with us at the end there.
9.
Forget Me 03:15
You can come and go now, you can come and go now and forget me, forget me. You can come and go now, you can come and go now and forget me, forget me. Well I suppose if you know you'll get by on your own you'll forget me, forget me. Oh try as you might to fight how you feel, the enemy inside won't disappear and will reveal That you can come and go now, you can come and go now and forget me, forget me. You can come and go now, you can come and go now and forget me, forget me. Well for a start make some art with a bit of your heart and you'll forget me, forget me. Oh try as you may to give away some of your pain, your gift is your hardship and it is pouring like the rain. You can come and go now, you can come and go now and forget me, forget me. You can come and go now, you can come and go now and forget me, forget me. Ivy on guitar and vocals Joel Ricci on trumpet and bass Drum machine played itself in that mystical way that it does Babbling brook of Dunsmuir carries us into the next number
10.
l will take my time, There is no mistake. I will take my time to walk away. I will take my time to watch the Moon Oooooooooooh Every child on this ball is a child of us all, and we all were children once, so I will take my time to learn with you. Oooooooooooh For every star in the sky there's a star inside. For every friend in front of me, there are more that I can't see. So I will take my time to walk you home. Oooooooooooom I will take my time there is no escape. I will take my time to turn the page. I will stop the blame and meet the need. Freeeeeeeeeeeeeeeeed Ivy on vocals and guitar Recorded by Adam Selzer
11.
A CREDIBLE GARDEN When you are weary of the creamy peanut butter hairdos that have kept you stuck to the roof of society’s you’re-on-your-own mouth, I will hold the bass line down to remind you what a grounded sound wave is capable of and surround your force field torn shield space suit with reminders of what you flew down here to do. And when the inner children on the capitol steps kick and pound at the interior walls bound to confound us with their choices made without the consent of their constituents, we will uproot the legislation they have passed so fast and plant a credible garden that will last far past the last gasp of a failed democracy experiment, and a new world will rise up, one bursting with a thirst for justice, hers, his, theirs, yours, mine and just then The timeless clock of the dedicated dawn will send a letter to your mailbox to see if you would like to order a subscription for the new day. Ivy on drums, guitar, bass and vocal A Credible Garden recorded to Webster “Electronic Memory” wire recorder by Adam Selzer
12.
Here We Are 02:58
Here we are, we've come so far, so long to go. Will we survive, come out alive? It's hard to know. The same life swims through all there is, through mountains, humans, and the fishes. When we see there is no other, we will treat each being as our mother. When mountains quake, when your heart aches, there is a cause. There is a place, without a name, with different laws. A realm of dignity and peace, where hearts are safe to be at ease. There is a home that we may know, as above, so below. Here we are, we've come so far, so long to go. Ivy on guitar and vocals Recorded to Webster “Electronic Memory” wire recorder by Adam Selzer
13.
Here we are, we've come so far, so long to go. Will we survive, come out alive? It's hard to know. The same life swims through all there is, through mountains, humans, and the fishes. When we see there is no other, we will treat each being as our mother. When mountains quake, when your heart aches, there is a cause. There is a place, without a name, with different laws. A realm of dignity and peace, where hearts are safe to be at ease. There is a home that we may know, as above, so below. Here we are, we've come so far, so long to go.

about

Season to Survive is an appeal to slooooooow down.
Released on the Winter Solstice, it provides an opening to align with the rhythm of the longest night of the year, the field of pure possibility, the holy darkness from which all emerges...
...to feel
...and imagine
...and connect

...to what is most important to you.

A lot of these songs came to me in dreams, some of the sounds and phrases were handed down to me from my grandparents...

You will find herein cameos from some of the brightest and most humble stars in the biz:
Heather Treadway performs a gorgeous tap solo on The Velocity;
Anna Verlet enchants with her violin on Oh Elijah;
Joel Ricci inspires with that trumpet and some bass on Forget Me.

Throughout you will encounter surprising and familiar field recording sounds.

A handful of the songs and poems were recorded to wire, the first magnetic recording technology, by Adam Selzer in his beautiful Portland studio.

Delicate and strange, ardent and honest, silly and sincere, this collection is a call to your own just-as-it-is-creativity.

credits

released December 21, 2022

All songs written by Ivy Ross
Configured and Mastered by Adam Selzer
Cover Art by Diana Zumas

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Ivy Ross

Songwriting has been a refuge for me since I was knee high to a grasshopper. I have had the great fortune of collaborating with marvelous musicians around the planet, and I have also spent many a long period of solitude courting the muse in her many forms. May the fruit from the tree I have watered with time be tasty and nourishing for you, and may your creativity bloom luminous, healthy and free. ... more

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